| The conference was totally crazy, and no doubt I’ll have more information/posts trickle in as I remember things I had wanted to share. There were lots of great writers there (Chris Crutcher, author of DEADLINE, Mo Willems, author of KNUFFLE BUNNY and DON’T LET THE PIGEON DRIVE THE BUS, Cynthia Lord, author of RULES, Kirby Larson, author of HATTIE BIG SKY, and more…..)a few editors I was interested in meeting (Liesa Abrams of Aladdin Mix, Jessica Garrison of Dial/Penguin), and several agents (Stephen Barbara, Kate Schafer of KT literary, Rosemary Stimola, and Marcia Werner). I talked to Stephen Barbara, ate lunch with Kate Schafer, chatted several times with Liesa Abrams, socialized with Rosemary Stimola during the wine & cheese reception, and watched Jessica Garrison’s session all about Penguin. There were several things I heard throughout the weekend, and this is them, in no particular order: *VOICE. Yes, you’ve heard it a thousand times, and it’s still the thing that will set you apart. And while some people said “you either have it or you don’t”, others said you can absolutely learn voice, if you try hard enough. An example was MT ANDERSON, who is said to have hung out in malls, eavesdropping on teens. *READ. Mo Willems, NYT bestseller, said there’s a name for people who read. Its READERS. He said writers WRITE, and that you shouldn’t worry about reading because that’s like watching a lot of baseball and thinking you’ll be a great player that way. However, every one else kept saying, “I love Mo, but seriously, READ.” It was kind of amusing to see him contradict what everyone else says, and its proof that everyone has their own way of doing things—and of finding success. *Revisions: During Liesa Abram’s session (editor of Aladdin Mix/Simon And Schuster), she revealed that R.A Nelson’s book TEACH ME, was not originally about a student teacher relationship at all! Nelson wanted to write a book about a girl who stalked her boyfriend when he broke up with her. It was only later when a friend suggested he make it a teacher that TEACH ME was truly born. This little tidbit was infinitely inspiring to someone who goes through a zillion drafts—it really proves that even best sellers are not perfect in first drafts…they become that way through revisions. *TENSION/ACTION: During the first pages sessions, it was heard over and over that your opening scene needs to have some tension and action. There needs to be something compelling. Try not to put any back story in until your readers care about the story. The whole weekend was fun, and I have no doubt I’ll be adding more entries later as I remember things I wanted to share. I’m definitely doing an entire entry on Liesa Abram’s tips for coming up with high-concept ideas!! ~Mandy |